Interesting luncheon speech last week from writer Joel Kotkin. Sorry that I’m only now getting this blog post written. (My Observer colleague, Forum Editor Lew Powell, somehow thought he deserved a vacation, and the rest of us had to double up a bit to cover for him.)
Kotkin is Irvine Senior Fellow at the New America Foundation . His most recent book is “The City: A Global History.” He was a provocative choice to speak to a conference put on by the nonprofit group, Partners for Livable Communities, which drew a good number of people interested in public art programs, cultural amenities, creative economies, etc. I’ll confess right off I haven’t read his book. I’m only reporting what he said in his speech.
Part of Kotkin’s message was this: Forget “arts” as a way to economically reinvigorate cities. What successful cities throughout history have provided are public safety, functioning economies, upward mobility, and “sacred” spaces, which don’t necessarily have to be religious. If a city has commercial success, then arts and culture will flourish, as they have throughout history in cities such as Venice, Florence, Amsterdam, London and New York.
He quoted Herodotus, the 5th century-B.C.E. Greek historian: “Human prosperity does not abide long in one place.” His point: Cities rise and fall. Cities and regions compete. Get used to it.
“There is no case that I know of,” Kotkin said, where art has done anything by itself “except to create a tourist economy.” He obviously thinks cities that desperately chase the so-called “creative class” and don’t pay attention to basic needs such as public safety and infrastructure (streets, sewers, schools) are misguided.
I agree, up to a point. Cities have to have thriving economies or they stop being cities and dry up and blow away. Without the things he lists – safety, jobs, etc. – they fail. But the arts are a segment of an economy. They produce things other people want to buy. Artists buy supplies and many of them hire help. As such, they’re small businesses. Cities wanting to diversify their economies – for example, old textile towns – need lots of different economic enterprises, and the arts should, or at least could, be among them.
And just one word: Asheville. Being known as an artsy town lures other artists.
But Kotkin’s cautions are well-taken. I’m not sure city boosters anywhere can just decide to become cool and artsy and have any promise of success.
One of Kotkin’s funniest quotes was from an unidentified talk radio host: “If you need a campaign to prove you’re hip and cool, you’re not.”