Suburbia, dissected

Jason Griffiths writes a short essay, “Colonial Vista,” to the suburban Colonial-style house he found in a subdivision in Charlotte a style ubiquitous in these parts. It’s part of his slide show on Manifest Destiny: A Guide to the Essential Indifference of American Suburban Housing” on the online forum, Places.

Griffiths is an assistant professor of architecture at the Design School at Arizona State University, hence the prominence of Arizona landscapes in his slide show. He was in Charlotte a few years back, he reports, to help review work at UNC Charlotte. (Want his book? Here’s a link.)

The Colonial-style of housing, he notes, is perhaps more appropriate in North Carolina (which was, for a time, an actual colony) than other places, but, he points out the oddity that “the most abject facade of this building enjoys the most commanding view while the actual front elevation is stubbornly fixated by an abbreviated prospect of the road and the house opposite.”

Memory, culture and ‘architectural cleansing’

ATHENS – You’ve heard of ethnic cleansing. Architect Christos Floros of Athens popped out with a new term on Monday: “architectural cleansing.”

Sadly, I needn’t have listened to the long history of demolitions in Athens to have been able to understand the term. Hey, I live in Charlotte, where what we really need to memorialize at The Square in the heart of the city is not another piece of odd, or clumsy, public “art” but a bronzed bulldozer.

(I’m at a conference, in Athens, of the Johns Hopkins University International Fellows in Urban Studies. [Hat tip needed, here, to other sponsors: Chicago Dwellings Association (akin to the Charlotte-Mecklenburg Housing Partnership), the Museum of the City of Athens, Panteion University of Athens, SD Med Association, Pantheon-Sorbonne (Paris 1) University and UMP Geographie-cites (CNRS). And a disclosure: The International Fellows Program paid my travel expenses to the conference.)

The conference theme explores whether memory (that is, the past as reinterpreted by the present) is an asset or an obstacle in urban revitalization. In a city this ancient you’d think the Athenians would revere the past. And you’d be wrong.

The city has had numerous eras in which the buildings of previous eras were simply wiped away. The most recent came with rapid population growth of the 20th century. Most of the 19th Century neoclassical buildings (which had, themselves, wiped away Ottoman and Byzantine architecture) were demolished. Much of the city is now vaguely Modernist-style buildings of little delight or distinction.

Architectural cleansing, Floros said, can accompany war, religious conflict, rapid population growth, ignorance, greed or one-dimensional ideology. It can accompany wars, such as the Persian invasion of 479 BC, in which Athens was demolished, but Floros made an exception for some wartime destruction that takes place without intent to destroy a culture.

Ignorance about the value of the monuments on the Acropolis led to architectural destruction during the Ottoman Empire’s 400 years of rule here. Fueled by greed, it took place during the late 18th and early 19th centuries, the era when Lord Elgin carted away the Parthenon frieze to England.

It took place due to one-dimensional ideologies during the first Greek state, founded in 1830, when northern Europeans decided the only architecture of value was neoclassical. Byzantine and Ottoman buildings were razed or allowed to fall to ruin during that era.

And it took place during the 20th century, fueled by rapid immigration to Athens from all over Greece. The rebuilding here was influenced, as in most Western cities, by the Modernist architectural movement – founded, ironically, with the 1933 Charter of Athens – which rejected pretty much anything that had ever been done, on the theory that the city must be completely reinvented.

Floros quoted Lord Byron, the English poet who came to Greece to fight in its war for independence in 1821 and died of a fever: Athens is “the most injured and the most celebrated of cities.”

Although if you want to narrow the competition to destruction of memories of the past, from what I can see Charlotte wins – in a New York minute. I’m pondering whether the destruction of downtown was fueled more by greed, or rapid population growth, or an unconscious effort to wipe away the black neighborhoods, or the wish to demolish a memory that people didn’t want to have to remember.

Next up: Was the Charter of Athens just simply wrong? (Sure seems that way to me.) Asking that question appears to make many architects deeply uneasy.

Update, Thursday June 24: I got an e-mail from Floros, asking that I be sure to note that some of the buildings that have been victimized by “architectural cleansing” in Athens are some important mid-century Modernist buildings. And he’s right to be concerned that yet another era of architecture is being wiped away – and not only in Athens. The Charlotte City Council set a precedent in October 2008 when it refused to designate as historic a mid-century Modern house – the first time it’s refused a request from a property owner – apparently because council members just didn’t think the building was all that significant.

Visions of the City

If you’ve an interest in city-building and city design, mark these lectures on your calendar.
UNC Charlotte’s School of Architecture’s spring lecture series is “Visions of the City.” It’s part of the inaugural year of UNCC’s new Master’s degree in Urban Design housed at the School of Architecture.

The first is in uptown. The rest are at the School of Architecture on the UNCC campus, Storrs Hall 110.

Jan. 20, 6-7:30 p.m. – “Design After the Age of Oil” – Gary Hack, Knight Theater, co-sponsored with Charlotte Center City Partners.

Hack is professor of urban design at the University of Pennsylvania. He is former chair of Philadelphia City Planning Commission and has prepared plans for more than 30 cities in the United States and abroad, and was the lead urban designer in the team of Daniel Libeskind’s winning design for redeveloping the World Trade Center site in New York. Free, but you must rsvp to: rsvp@charlottecentercity.org

Feb. 3 “Cities After the End of Cities” – Robert Fishman – 5-6:30 p.m., UNCC Storrs Hall.

Fishman is professor of architecture and urban planning at the University of Michigan and a nationally recognized expert in urban history, policy and planning and, more recently, “ex-urbs.” Among his books are “Bourgeois Utopias: The Rise and Fall of Suburbia (1987),” and “Urban Utopias in the Twentieth Century: Ebenezer Howard, Frank Lloyd Wright, and Le Corbusier (1977).” His most recent work is on “ex-urbs.”

Feb. 17 – “Planning, Ecology and Emergence of Landscape” – Charles Waldheim – 5-6:30 p.m., Storrs Hall, UNCC

Waldheim is professor and department chair of Landscape Architecture at Harvard University. He coined the term “landscape urbanism.” Professor Waldheim’s lecture will provide a historical survey of the role of landscape architecture in the formation of cities and regions, and examine several recent projects in North America that propose landscape and ecology as creative drivers of urban design. Such propositions will suggest potential models for planning, informed by contemporary understandings of landscape and ecology as new media of urban design.

Feb. 24 “Recent Work” – Yung Ho Chang. 5-6:30 p.m., UNCC Storrs Hall.
Yung Ho Chang is a professor and heads the Department of Architecture at MIT. He taught in the U.S. for 15 years before returning to Beijing to establish one of the first independent practices in China, Atelier FCJZ.

Modern architecture — Oh, the terror!

This may explain why I, and many other people, aren’t so fond of Modernist-style buildings. We’re instinctively reacting with fear.

(See my previous posting about the Mid-Century Modern home tour this weekend. Link is here.)
I stumbled on this piece from Fast Company about how surroundings shape our minds and bodies. Among its interesting tidbits: People instinctively prefer objects with rounded edges (think of arches, for instance) over sharp-edged objects (think of most 20th-century buildings, such as the Westin hotel in Charlotte, shown above, with the NASCAR Hall of Fame in the foreground). The theory is that it has to do with hard-wired fear of sharp objects.
Memo to architects designing libraries: High-ceilings in rooms encourage you to think more freely and abstractly.
And memo to minimalists: Clutter increases the “memorability” of a place. As the article says, “A generous scattering of objects generates a fondness for the place.” (But I’m pretty sure that doesn’t include dirty socks or last night’s grease-splotched pizza box.)