Category: Romare Bearden

At long, long last, a park for Romare Bearden

Bearden collage: Maudell Sleet’s Magic Garden (1978)

It took years, multiple political strategies, a bond vote, patience, weathering a brutal and ongoing economic downturn, more patience, and – finally – a multimedia event under a tent on a hot asphalt parking lot. But Friday, ground was broken for a new park in uptown Charlotte: Romare Bearden Park.

It’s notable for many reasons, including being the first significant honoring of  a major 20th-century artist, Bearden, who was born in Charlotte. It’s also the first major public park built in the heart of uptown in years. I am not counting Polk Place at The Square because it’s tiny and because I’m still hacked off that the city knocked down the oldest retail buildings downtown for a not-so-wonderful park modeled on what looks like the U.S. Northwest mountains. The late Al Rousso’s fight against the city to save his store got him elected to City Council. But it didn’t save his store. Nor am I counting The Green because it is private space. Lovely, but private. Just try standing and taking photos of the condos, and you may find yourself getting kicked out, as I hear happened to some architecture students.
 Romare Bearden Park is named for New York artist and Charlotte native Romare Bearden, born 100 years ago today about two blocks from the scene of Friday’s ceremonies, in his great-grandparents’ house at 401 S. Graham St. on the corner of what was then Second Street and is now Martin Luther King Boulevard. Bearden’s parents moved North when he was a young boy, but he visited frequently and some of his later works evoke (and are named for) Mecklenburg County and the people he knew here, including Charlotte neighbor Maudell Sleet (above).

St. Michael’s now-demolished church. Photo: www.bearden1911.org

That “multimedia” part refers to the agenda for Friday’s events. Of course you had politicians present and past, governmental officials and reading from ceremonial proclamations. But we were also treated to the choir from St. Michael and All Angels Episcopal Church – where Bearden was baptized. The church, founded in 1882, was formerly at South Mint and West Hill streets (where the Panthers’ stadium now sits) and is the oldest traditionally African American Episcopal church in the state. (For more information about Charlotte in 1911, at the time of Bearden’s birth, visit www.Bearden1911.org.)

After the pols came playwright/poet Ruth Sloane reading dramatic excerpts from her original play, “Romare Bearden 1911-1988,” commissioned in 2003, and accompanied by flautist Michael Porter. Then we followed the Johnson C. Smith University drummers out to watch Mecklenburg county commissioners’ chair Jennifer Roberts knock out a section of the back wall of a row of buildings that until now had, miraculously, survived on Church Street between Third Street and MLK Boulevard.

I chanced to sit next to Charlotte developer David Furman, who recalled, “When we started marketing the TradeMark [condo tower on West Trade Street] we were marketing this park.” That was six or seven years ago, he said. The park site was part of a multipart, still controversial land swap deal that was expected to bring a minor league baseball stadium uptown, to a neighboring and larger parcel that was the original site for this park. That deal has been mangled by the recession and long-running lawsuits.

Time-traveling to a lost era in city history

I spent rather too much time yesterday looking through a new website that lets you view old maps of Charlotte a century ago, pegged to the 100th anniversary Friday of artist and native son Romare Bearden’s birth. The site, www.bearden1911.org, (put together via a partnership of the Levine Museum of the New South and UNC Chapel Hill) superimposes old photos and information about Bearden on an old Sanborn map. You can see old building outlines, where the streets used to be. (Note the small lot sizes, compared with today.).

I got interested, also, in the companion site www.charlotte1911.org, another collaboration by the Levine’s historian, Tom Hanchett and UNC. It uses 1911 Sanborn maps and city directory information to show you, for instance, where people holding different jobs were listed as living. You can locate where the boarding houses were, by race, as well as attorneys, mill workers and “bag agents.” The slider bar lets you superimpose an aerial photo of today’s buildings atop the century-old maps.

Of course, using this site, I scrolled out to see my own neighborhood  –  a subdivision whose official plat name is Pharr Acres. I’d heard it was “old man Pharr’s farm.”  Yep, there on Providence Road, just south of  Briar Creek, is a dot labeled “W S Pharr.” Into the late 1970s the large, old farmhouse house still stood. Like so much else on the map, it’s gone now, with a cul-de-sac subdivision in its place.

The Bearden site also offers some opportunity to mourn, including for the segregated world into which he was born, and for the loss to this city of a talent like his, when his parents moved North in search of a better life. As Levine historian Hanchett says in his article for the UNC Charlotte Urban Institute’s website (disclosure: my workplace) “Bearden’s 1911 birthplace: A fateful time for Charlotte,” a city where downtown neighborhoods had been comparatively integrated was hardening into rigid segregation during the years before Bearden’s birth. A new city park was closed to black residents. Black passengers were ordered into the back of streetcars.

But as you look through the Bearden locations and see photos of what’s there today,  mourn this, as well:  Most of it is gone. The good, the bad, the spacious front porches, stores, churches – almost everything. Including, in some cases, even streets  What you’ll see in photos showing today’s scenes in the places where Bearden and his family lived is not newer buildings – after all, cities do evolve – but surface parking areas, empty grass-covered lots. It’s one thing when old buildings are lost but replaced by newer ones that also over time contribute something to the city’s life and, then, its history. That is not what has happened here. We’ve just lost the reminders of the past, without gaining anything. At least this online exhibit can, if only virtually, restore something of what went before.

Photo: Artist Romare Bearden, born in Charlotte 100 years ago, moved to New York. His great-grandparents are shown in the photo next to him, on the porch of their Graham Street home in Charlotte.