Trashing public art — again

Mayor McCrory, council members Andy Dulin and John Lassiter, can I make a request? If you don’t like the city’s 1 percent-for-art program, then end it. But as is, it’s tediously predictable that whenever you get a presentation about what the money is being spent for, you go off on the program’s administrators and trash the art.

Guess what. Their job is to administer the city program. The city program allocates 1 percent of the cost of most (not all) city projects and dedicates that money for public art.

Now, plenty of people can make good philosophical arguments for why government shouldn’t be paying for art. It’s a reasonable position: Art should be independent of government, because public money comes with strings attached. Public art typically isn’t very cutting-edge, for instance, because that would offend the pols and they’d ax the money. Some people genuinely think art isn’t what government should be doing, and I respect that view, even though I disagree.

But there are other good arguments about the value of art to the public and about the value of having artists in your city. And for now, city government (and the county, and the transit system) have concluded it’s worth the fractional amount of money it takes to have public art.

The item getting people’s attention is a project to put mosaic tile covers on trash cans along Central Avenue, as part of a Central Avenue streetscaping project. Here’s a link to the slide presentation; mosaics are on page 6. The City Council heard a presentation on Monday, showing numerous public art projects. Dulin tallied up the cost of the mosaics – $42,000 for mosaics on the outsides of 12 trashcans, 4 mosaics each – and said, “That’s $3,500 a trashcan.” Then he asked if he could get one of those trashcans at the bus stop near Myers Park High School. “$3,500 per trashcan is a little bit out of line, I’m sorry,” he said.

Lassiter wondered whether the primary colors of the mosaics would look good next to some murals also planned along Central Avenue, whose colors looked (in the slide show) more pastel. (Should we cut him some slack? He was suffering jet lag from a trip to Ireland.)
McCrory complained – as he does whenever public art comes up – that he prefers more representational statuary that depicts people and history. “I like the statues at The Square. I just don’t think we have enough of them,” he said. “The most comment I get from people is the statue at Myers Park Hardware [a privately funded statue of the late, eccentric Hugh McManaway].”

There were snickers and snide remarks about several of the art works. Robert Bush of the Arts & Science Council, which administers the public arts program, was stoic. Public art administrator Jean Greer kept a pleasant smile on her face. Surely they get sick of this, every time they appear.
OK, let’s try it one more time: Not all art will please everyone. If it did, it would be awfully tame. Some people like abstract art, and I don’t want the mayor, or any mayor, choosing what art I see. Some people prefer ancient Roman busts, or statues of nekkid goddesses or “The Thinker.” But art changes with its era, and this art should reflect this era.

Putting art on a trashcan might just be a way to brighten up a part of town that, heaven knows, has felt decades of city neglect. Should all art be restricted to uptown or Myers Park, where more affluent people live? Should art not be allowed on trashcans, only walls?

This is silly, fellas. Can’t we just move on?